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Music Reviews
Music Review: Billie Eilish’s ‘Hit Me Hard and Soft’ is zealous outsider pop in a league of her own
Billie Eilish’s highly anticipated third studio album has arrived.
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Music Review: Miley Cyrus, Lorde and more team up for fun Talking Heads’ ‘Stop Making Sense’ tribute
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Music Review: Sebastian Bach’s ‘Child Within the Man’ makes the case for a Skid Row reunion
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Music Review: Brad Mehldau connects Bach, Fauré to jazz on albums, ‘After Bach II’ and ‘Après Fauré'
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Music Review: Dua Lipa’s ‘Radical Optimism’ is controlled dance pop
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Music Review: Sia soars with first solo album in 8 years, ‘Reasonable Woman’
A whole album of Sia is great — great, don’t get us wrong — but Sia paired with the icon Chaka Khan? Fire.
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Music Review: SEVENTEEN’s ’17 Is Right Here’ is a study of their impressive evolution
K-pop boy band SEVENTEEN ventures into confident adulthood with their latest compilation album, “17 Is Right Here,” writes the Associated Press’ Cristina Jaleru.
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Music Review: Anitta welcomes listeners into her ‘Funk Generation’ on new album
First, she took over Brazil. Now, the world. The trilingual Brazilian pop star Anitta has returned with a new album, the club-to-bedroom ready “Funk Generation.”
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Music Review: St. Vincent’s art-rock burns bright on seventh album, ‘All Born Screaming’
On her seventh full-length studio album, Annie Clark, who performs as St. Vincent, unleashes her broad range of art-rock gifts, from the crackling ember of her vocals to raging infernos of swirling, epic orchestration, writes the Associated Press’ Jim Pollock.
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Music Review: Pet Shop Boys have done it yet again with catchy and bittersweet ‘Nonetheless’
Pet Shops Boys are back with their fifteenth studio record. The stone-faced British pop duo is known for their synthesizer-backed dance tracks with simple vocals and emotional lyrics.
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Music Review: Neil Young delivers appropriately ragged, raw live version of 1990’s ‘Ragged Glory’
Neil Young offers a ragged and raw live take of his 1990 album ‘Ragged Glory’ with a new album that has a somewhat profane title.
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Music Review: Taylor Swift’s ‘The Tortured Poets Department’ is great sad pop, meditative theater
Who knew what Taylor Swift’s latest era would bring? Or even what it would sound like? The result is her 11th album, “The Tortured Poets Department,” out Friday.
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Music Review: Jazz pianist Fred Hersch creates subdued, lovely colors on ‘Silent, Listening’
Jazz pianist Fred Hersch fully embraces the freedom that comes with improvisation on his new solo album “Silent, Listening.”
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Music Review: Jesse McCartney’s ‘All’s Well’ celebrates adult life after teen pop star fame
Former teen heartthrob Jesse McCartney — best known for his boy band days in Dream Street, his solo hit “Beautiful Soul,” writing “Bleeding Love” for Leona Lewis and an acting career on “Summerland” — is aging like a fine wine on “All’s Well,” his latest EP.
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Music Review: Lizzy McAlpine tells intimate folk-pop stories on her third album, ‘Older’
Lizzy McAlpine’s new album “Older” tracks the feelings and questions that come with maturing, grieving, learning to trust and be trusted.
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Music Review: Larry Campbell and Teresa Williams sing about the power of love on ‘All This Time’
Drawing from personal experience, husband and wife duo Larry Campbell and Teresa Williams sing about first-rate romance on their latest collaborative album, “All This Time.”
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Music Review: Vampire Weekend’s frenetic, challenging ‘Only God Was Above Us’ is an ode to New York
American rock band Vampire Weekend return with their most challenging record to date, “Only God Was Above Us.”
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Music Review: Beyoncé's epic ‘Act ll: Cowboy Carter’ defies categorization, redefines American style
Beyoncé's 78-minute, 27-track “Act ll: Cowboy Carter” is not a country album. But it is certainly another blockbuster Beyoncé album, writes Associated Press Music Writer Maria Sherman.
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Music Review: NCT Dream try to pin down a vibe in latest EP, ‘DREAM( )SCAPE’
NCT Dream’s latest EP that’s pronounced “dream escape” doesn’t impress The Associated Press’ Cristina Jaleru.
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Music Review: Waxahatchee’s alt-country soars, finds joy in simple things on ‘Tigers Blood’
The indie artist Waxahatchee, known for her gut-wrenching alt-country, demonstrates mastery of her craft on her sixth studio album, “Tigers Blood.”
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Music Review: Bass duets by genre-defying virtuosos Christian McBride and Edgar Meyer swing, rumble
The new album from eclectic virtuosos Christian McBride and Edgar Meyer will work out your sound system.
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Music Review: Justin Timberlake returns on nostalgic ‘Everything I Thought It Was’
In its better tracks, Justin Timberlake’s first new album in six years, “Everything I Thought It Was,” is a return to form for the musician.
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Music Review: Kacey Musgraves’ ‘Deeper Well’ trades country-pop hooks for deep, folk-y meditation
Just over a decade ago, Kacey Musgraves emerged as a fresh new voice in country music. In the years and award-winning albums since, she’s proven herself to be malleable: weaving disco-pop and psychedelic detours into her country narratives.
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Music Review: Ariana Grande triumphs over heartbreak on seventh studio album, ‘eternal sunshine’
Ariana Grande’s seventh studio album, “eternal sunshine,” dropped on Friday. Turns out, her lead single, the ‘90s house-pop of “Yes, And?” was a bit of a red herring.
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Music Review: Bleachers edge past The Boss as Jack Antonoff finds a new sort of peace
Self-titled albums are the traditional way for a musical act to introduce themselves. So what are we to make of Bleachers’ fourth and self-titled album?
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Music Review: Judas Priest shows you don’t have to be young to be fast with ‘Invincible Shield’
If you think Judas Priest is a bunch of past-their-prime old geezers, you’ve got another thing coming.
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Music Review: Faye Webster’s indie ‘Underdressed at the Symphony’ journeys through a lifetime
Faye Webster, known for her thoughtful blend of indie rock, folk and country, has a new full-length album out: “Underdressed at the Symphony.”
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Music Review: Ex-Kiss guitarist Ace Frehley is back with another great solo album
No shock here: Ace Frehley has still got the power.
The former Kiss guitarist whose vocal debut came on 1977’s “Shock Me” is back with “10,000 Volts,” a new solo album that’s crackling with energy and personality.
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Music Review: MGMT’s ‘Loss of Life’ is a nostalgic return full of hope and heart
MGMT is back with its fifth studio album. The American rock band is perhaps best known for its indie sleaze anthems like “Kids” and “Time to Pretend.”
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Music Review: Jennifer Lopez returns to her pop music throne with new album, ‘This Is Me... Now’
On “This Is Me....Now,” Jennifer Lopez’s first solo album in a decade, the singer takes back her rightful place on the throne of pop music.
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Music Review: Swedish pop singer Zara Larsson’s ‘Venus’ imparts wise and caring lessons of love
While February is all about sugary feelings, Swedish pop singer Zara Larsson celebrates every heart-broken fan on her fourth album, “Venus.”
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Music Review: Declan McKenna’s ‘What Happened to the Beach?’ is a warped, pop sonic adventure
British pop singer-songwriter Declan McKenna is back with his third studio album, the bright “What Happened to the Beach?”
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Music Review: New album by Pylon Reenactment Society revives Pylon’s style of funky art punk
Generations of bands and trends have come and gone since the group Pylon’s heyday as a rock influencer.
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Music Review: Giorgi Mikadze Trio builds engaging musical bridge linking jazz to Eastern Europe
A new jazz album from the Giorgi Mikadze Trio is titled “Face to Face: Georgian Songbook Vol. 1.” Mikadze is a native of the country of Georgia, and “Face to Face” is his first record leading a traditional piano jazz trio.
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Music Review: Paul McCartney and Wings’ release bare bones ‘Band on the Run’ on 50th anniversary
Sometimes less is more. The Associated Press’ Scott Bauer writes that is the thought behind Paul McCartney and Wings’ “Band on the Run (Underdubbed).”
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